![]() The sole of the foot, not including the toes, is equal to the size of the headĪ few useful body-proportion facts that a fashion illustrator should always keep in mind are shown In this diagram, exaggeration for fashionĪlthough it is important to gain a thorough understanding of how the body is c onstructed, a fashion illustration is not always an accurate representation of reality. When arms are relaxed, the fingertips reach halfway down the thigh Hands are often three-quarters of the head size (that is, capable of covering the face) The upper lip often appears in shade as it curves in towards the teeth The ears and eyes are In line with each o:her between the eyebrows and the nose The eyes are usually in the centre of the face The big toe is ^proximately one-quarter of the whole foot In adults, the legs lor in at least half the total height. The hip tilts down on the leg that ¡5 not carrying the body weight The eyes are set ¿ipproximately one eye-width apart The pupil is always p.irtly covered by the upper eyelid The following diagram demonstrates useful facts for the illustrator to keep in mind when drawing the figure. The most common exaggerations in fashion illustration are for the female figure to be drawn with longer legs and a smaller waist, and for the male to have broad shoulders and muscular, toned arms. Women have proportionately wider hips than men, who have wider necks. Women's shoulders are narrower and slope downwards, whereas men's are broad and fairly straight. Men's and women's body proportions differ greatly, and men are generally taller. ![]() Try it yourself by using a tape measure to find out how many times your head length fits approximately into your body height, from crown to toe. This simple way of measuring is still used today. During Classical Greek and Renaissance times, the ideal number was eight, which was the standard for perfect proportions. They used the length of the head as a unit of measure, then counted the number of times it fitted into the body's total height. The Ancient Greeks invented an ingenious method of measuring the height of the human body. This fairly accurate system, invented by the Ancient Greeks, is still used by artists today. These diagrams show how the height of the body can be divided into eight equal parts, each equivalent to the height of the head. Practise drawing poses from a mannequin, observing how the 11 body parts move in relation to each other. This exercise is an important preparation for fashion illustration, as it will allow you to experiment with poses before you begin to concentrate on the details of the clothing. Then, once you understand how all the body parts fit together, focus on remembering their proportionate sizes. Yotir objective is to notice the way the 11 body shapes move in relation to each other. Practise this bv adjusting the parts of a wooden mannequin and drawing it at different angles (below). These basic parts can be manipulated to create different poses. Hand thigh knee lower leg upper torso lower torso lower arm head neck and shoulders upper arm Fo1" Simplicity, imagine that it is as a series of shapes, made up of 11 basic parts (see below): īasic parts, which assists in seeing the body of the human body1S t0 see !t as a senes of shapes. The easiest way to begin your study The human figure can be divided into 11. So, while body shapes and proportions may vary from person lo person and the fashionable ideal may change, the artist must keep in mind the essential components outlined in the following diagrams. The fashion illustrator often aims to express the features that society currently perceives as beautiful, and may choose to highlight these features through exaggerated illustration. For example, a curvaceous figure and short, wavy hair was desirable in the 1950s, while a decade later a thin figure and poker-straight hair was most admired. Fashions change from culture to culture, and from decade to decade. Clothing the body is a means of self-expression and an opportunity for creativity, so the impression created by a fashion illustration must be based on careful observations. When drawing the fashion figure, it is important to know the standard proportions of the human form, as well as hearing in mind that people vary greatly in shape and size.
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